New Printer

Payday came and i bought a new printer, its a great printer, good quality and exactly what i will need for my little business, yet it took absolutely FOREVER to set up. I think it was mainly because of my computer and something to do with windows 7. My brother, the IT undergraduate student and two epson staff couldn’t figure out how to make it work, but in the end i did it, about 16 hours later. But i was so chuffed i made it work, i’m quite literally the technology repeller, but i did it and it made my day; i figured if i could make that work then i could do anything.

Also in between the printer drama i managed to finish my Victorian drawers and have started on making a little corset for it, which i haven’t finished yet. I’m quite happy with my little drawer set, i think i could have done a neater job though, but i am always in habit of rushing it.  Perhaps I’ll try a two piece as well, see which one will work the best. The two piece will probably be easier in pattern form.



I have finally finished that corset i started recently, yet i made it the wrong size so can’t display it on my mannequin, another lesson learnt when making small costumes, make sure its the right measurements….. I did laugh at myself tho.


My Victorian drawers with top is also coming along nicely, only a few little bits and its finished.

Not a very good picture taken so late at night but i will put up better ones when I’ve finished it.





Women’s Redingote

A Redingote is a tight fitted coat that first appeared at the beginning of the 18th Century. Women were first wearing them as part of their riding habits, they were heavy, bulky garments that consisted of a large masculine style waistcoat underneath that stretched over the very large hooped petticoats of the first half of the 1700’s, while separating slightly at the centre. It was designed to mirror the male waistcoats and jackets of the time, with little pockets and buttons just visible underneath to add to the overall masculinity of the outfit.

The jacket mirrors every bit of the male counterpart, including the large, folded over cuffs and heavy embroidery; yet the sleeves are slightly further back, allowing for linen sleeves with lace to be shown, adding a feminine touch. The women even matched it down to the lace cravats the men wore from their unbuttoned waistcoats. 

In the 1780’s they really became popular, due to the French who now made it fashionable. At this time they were inspired by mens fashions of the day while also becoming perfectly tailored little coats. In some cases the coats were dark (as it was fashionable to wear them with a muslin dress underneath) that met at the chest and gradually descends down towards the back where they meet the top layer skirt that only goes half way round the whole petticoats. There is a embroidered waistcoat underneath that has a masculine touch with large buttons and small cuffs; there is also large, flat collars above on the jacket that continue this theme.

There were other varieties in this period, often inspired by military uniforms or their favorite political party, while other jackets were closed, supported by large frilly collars of muslin neatly around the neck. 

The Redingote continued until the late 19th century; in the regency period it followed the fashionable empire line of day, becoming a long pleated coat from underneath the bust, with a simple jacket and flat collar. They often had short detailed outer sleeves above a long sleeve, which went down to the wrist. The detail on the sleeves and coat was also military inspired, which is repeated all over the coat and dress. 

  The Redingote waned during the mid Victorian period, mainly being used again for riding habits, while resembling the early 1700’s shape.

Women’s shape began to change from the large crinolines of the 1850’s and as fashion changed, returning to a almost updated version of the regency empire line, the Redingote came back into fashion. The two piece bodice and skirt outfit that began to dominate the later part of the 19th century would also consist of a jacket, in most cases a simply design with more frills and patterns while the hem would float over the skirt.

In the 1880’s this became a tighter fit, with the same detail with fabric cascading down the back, reminiscent of the polonaise dress.

The 1890’s saw a return to short coats with frills and detail that was fashionable in the 1780’s, yet fashion choose a more feminine approach with lighter colours and a more natural body shape.

19th July

I caught a bus today, something i NEVER do anymore, wish i hadn’t as i must have been the only person under 65 on it. Yet, i sit there and i think about what they would all be wearing if it was the 1860’s or 1900’s and i have this time traveling going on in my head, makes the bus journey more enjoyable.

Anyway, the previous night i decided that i really wanted to make Victorian drawers with top, something like below, from 1880 – 1890.

I did this and i am quite happy with how it is going so far, yet when i attempted to put it on my little mannequin, with is one of those wooden figures for drawing, the pole keeping her up got in the way, so i thought, hey, i can just take it of the stand. This is what happened.

I don’t understand how i managed to knock her foot off as that was before i started using the hammer. But it could have been a lot worse, i was surprised she didn’t lose an arm.



Made a poll survey, took 3 hours longer than it would anyone else but i did it, learning something new everyday.


For some on-the-spot idea, it came to me that i should use names instead of numbers or gibberish only i understand for my patterns. So i introduce Cynthia, my first pattern, a late 1820’s evening gown.

I have already made the pattern and am in the process of making an example, but i am not certain if pencil is the way to go when drawing examples for the final pattern itself, what does everybody think?

Cynthia in the process – in gibberish